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Arduino Cantafora | Alessandro Mendini - Cose, Case, Città

Antonio Colombo Arte Contemporanea is proud to present Cose, Case, Città (Things, Houses, Cities), the double personal exhibition of the artists Arduino Cantafora and Alessandro Mendini, curated by Ivan Quaroni. The show brings together works from various periods, that embody different aspects, even counterposed, of the Postmodern visual culture on the border between art and architecture.


Opening during Fuorisalone:

Da Martedì 12 Aprile a Venerdì 15 Aprile dalle 11.00 alle 20.00

Sabato 16 e Domenica 17 Aprile dalle 13.00 alle 19.00

Both architects, artists and writers, but also refined intellectuals, Alessandro Mendini and Arduino Cantafora test themselves, through their works, in a rapid confrontation of styles, languages and antithetical obsessions.

Two souls of Postmodernism, that of Mendini, Post-Avant-Garde and Neo-Futuristic, and that of Cantafora, anachronistic, retrospective, classic: the former looks ahead, invents the concepts of Cosmesi Universale (Universal Cosmetics) and Design Pittorico (Pictorial Design), the latter returns to the craft, to the relationship with the optical reality. Two souls,
the Neomodern and the traditional, that have coexisted in Postmodernism,  as well as the
Transavanguardia, the Anacronisti, the Citazionisti and the Nuovi Nuovi did before, embodying the various aspects of the same attitude towards the re-proposal and the re-thinking of the history of art.


On show, Arduino Cantafora's paintings of silent city views from the series Domenica Pomeriggio (Sunday Afternoon), next to the complex compositions of the Teatri Di Città (City Theatres) and a selection of smaller works dedicated to interior views. Alessandro Mendini, instead, will exhibit works on wood and on canvas, painted with a special nitro paint, some objects and prototypes, as well as a series of drawings from the past years. His works will be included in a site-specific polychrome wall painting.


Student and collaborator of Aldo Rossi until 1978, with a background deeply rooted in the scientific interest for a lucid and rational realistic reproduction, Arduino Cantafora has painted works in which not only the urban architecture, but also the domestic interiors, the objects and the places are described with an impressive rigor and an extraordinary technical precision.

Architect, professor and writer – among his writings it is worth remembering at least Quindici Stanze Per Una Casa, published by Einaudi – Arduino Cantafora is the author of a clean painting, optically exact, often imbued with melancholy and mercurial moods. His paintings, that range from urban views to architectural allegories, from bourgeois interiors to old steam locomotives, show that at the


basis of his modus pingendi there is always a deep humanistic interest in the morphological study of the forms.

Influenced by Caravaggio and by the Lombard painting of the Sixteenth and Seventeenth centuries, but also by Divisionismo, Purismo and Metafisica, Arduino Cantafora's figurative language is the outcome of a deeply personal memorial path, that starts from a heartfelt adherence to optical data in order to rebuild the individual and collective historical identity. An attitude, this one, that he later translated in a didactic practice at the École Polytechnique Fédérale in Lausanne and at the Academy Of Architecture in Mendrisio, where he addressed the various issues related to the problem of representation. “I have always hoped, during my years of teaching,” the artist confessed, “to be able to contribute to the pleasure of seeing things, to the wonder of the vision as a factor of inalienable individual freedom, that, in grasping during the arc of the day and of the seasons the chasing of the light, can meet the ever identical to itself joy of being”.


Architect, designer, theorist and writer, Alessandro Mendini has spent his childhood in a bourgeois house designed by Piero Portaluppi, surrounded by the works of the greatest Italian artists of the

Twentieth century collected by his relatives. This visual imprinting, fundamental to his training, was then joined by a lively passion for drawing. After graduating in architecture, he starts to work at Studio

Nizzoli, but in 1970 he leaves  design to direct the magazines “Casabella”, “Modo” and “Domus”, through which he spreads his renovation ideas in design. At the end of the Seventies he joins the Alchimia Studio, the radical design group that in the Eighties rewrites the rules of designing in an anti-functionalist sense, focusing on the production of objects of pure pleasure, prototypes, furniture, interiors, installations and furnishings inspired by kitsch aesthetics and Folk Art.

In design, as well as in architecture, Mendini approaches design as art and art as a project, creating strange contamination between painting and architecture and inventing provocative concepts like such as Design Pittorico, Artigianato Informatico (Computerized Craftsmanship) and Architettura Ermafrodita (Hermaphrodite Architecture).

Following a paradoxical logic, in fact, Mendini moves the conceptual approach of design and architecture to painting, while instilling in them the emotional impulse of art. “Given design's insufficiency to face the world,” he writes in 1986, “it is replaced by painting, that becomes a work without beginning, without end and without explanation, a formalist network of styles and visual references, similar to a wave breaking”.

His objects, as well as his paintings, are marked by the invention of a personal alphabet made up of abstract forms, modeled on the reinterpretation of the languages of the Modernist and Futurist avant-gardes. In his drawings, instead, surfaces Mendini's ironic and poetic soul, prone to the creation of visual stories suspended between the sketch and the project, eternally torn between the need to build and the desire to dream. 


Antonio Colombo Arte Contemporanea

Galleria Antonio Colombo Arte Contemporanea was opened in Milan in 1998, concentrating on a selection of Italian artists having particular affinities with the tastes of its founder, Antonio Colombo. The exhibitions, in the early years, were mostly on young Italian talents, with some extemporaneous events involving foreign artists, putting the main accent on painting. Among the main solo shows, we should mention those by Silvia Argiolas, Gabriele Arruzzo, Marco Cingolani, Francesco De Grandi, Fulvio Di Piazza, Nathalie Du Pasquier, El Gato Chimney, Tom Fabritius, Thomas Flechtner, Matteo Guarnaccia, Giuliano Guatta, Laboratorio Saccardi, Francesco Lauretta, Miltos Manetas, Andrea Mastrovito, Luca Pancrazzi, Luigi Presicce, Giuliano Sale, Andrea Salvino, Marta Sesana, as well as one of the first events, featuring 3000 photographs retouched by Mario Schifano. During this period there were also some important thematic group shows: Senza mani! Provos e biciclette bianche, on the Dutch counter-cultural Provo movement, The Black Album, inspired by heavy metal music, with thirty international and Italian artists, Senza freni!, in which the artists interpreted the Bulli, the historic Volkswagen bus, with the debut of the art magazine “No”. The group show Wearproof was on international painting, presenting artists not yet known in Italy, while I was so much older then, I’m younger than that now, curated by Luca Beatrice, gathered works by 18 important artists active in the 1980s and 1990s. Orde di Segnatori presented drawings by over 25 Italian and foreign artists, from Lawrence Ferlinghetti to Barry McGee, Gino De Dominicis to Daniele Galliano. In 2009 the gallery opened the Little Circus, a space inside the facility set aside for special projects, which has hosted many small exhibitions and installations. The passion for rock music has also played a role in the choice of certain artists like Moby, Daniel Johnston and Mike Giant. Since 2008, starting with the group show Fantasilandia, the gallery’s focus has shifted to international exponents of the new visionary art, including outstanding names like Anthony Ausgang, Gary Baseman, Tim Biskup, the Clayton Brothers, Ryan Heshka, Gary Taxali and Eric White.

Galleria Antonio Colombo
Via Solferino, 44

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