Silent Servants - The Butler, The Lady, The Barman

Born in Milan and raised in Rome, where she graduated in architecture, Angelica Frullini soon developed a passion for aesthetics and its relationship with the concept of functionality, with a special focus on the evolution of living habits and life styles. Thanks to her great-grandfather, a famous Florentine antiquarian active in London and Paris, and her father, a music critic with a passion for art, she grew up in an environment rich of culture and unique objects that instilled in her the pleasure of beauty. After having worked as an architect in Stockholm, where the creative vanguard still influences the international design scene, and later on in Zurich, where formal rationalism and quality of execution are the key to a successful system worldwide recognized, Angelica decided to go back to Italy in order to discover its best craftmen, heirs to a precious culture. As a result of a long research, Frullini decides to develope a brand dedicated to "Haute Cabinetry", with the goal to continue the best manufacturing tradition, creating a collection of small furniture jewels, smart, elegant and timeless.

Co.Ro jewels, handcrafted by Italian artisans, represent a harmonious fusion of rationalism and classical tradition. They instill a metaphysical sense of nature, by exploring geometrical patterns and new dimensional relations. The two designers, Costanza De Cecco and Giulia Giannini are, not by chance, two architects. Their education determines the way they look at the world, so as the conception and designing of their jewels. The composition method passes through a research focused on space, producing volumes and shapes that refer to geometries of structural forms enclosed in worlds of minimal dimensions. They often display jewels inspired by architectures, buildings bound to the collective imaginary, epitomes of an age and statements of the most various instances; from mediterranean houses to ancient temples, up to industrial complexes, revisited with a twist of irony by playing with the principles of jump in scale and function: spaces to be lived and architectures to be worn.